Paul McCartney will forever live in the shadow of the Beatles -- every rock band lives in their shadow -- but he has still managed to amass a solid body of work over the years. His 1970 self-titled debut has all the scrappy charm he originally envisioned for Let it Be, and the frothy masterpiece Band on the Run is the mirror image of Lennon's confessional masterpiece Plastic Ono Band; both are definitive '70s albums. McCartney's solo work displays strong melodies and craftsmanship, but most of his lyrics can't match the sharp point of view he had on "Eleanor Rigby" or "Lady Madonna." During the '80s, his music started to sound too saccharine and bloated. He bounced back with Flowers in the Dirt, a strong collaboration with Elvis Costello, before re-exploring stripped-down rock and a respectable -- but ultimately pointless -- classical excursion. In 1999, McCartney recorded Run Devil Run, a joyous celebration of the early American rock 'n' roll that inspired him to pick up a guitar in the first place. Like Brian Wilson, who created brilliant "vapid surf music" with the Beach Boys, Paul McCartney has a pure pop genius -- he just makes complexity look so simple.

Nick Dedina


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