The prolific and prodigiously talented cellist Yo-Yo Ma is as at home with Brahms and Bach as he is with Astor Piazzolla or Antonio Carlos Jobim. Like many virtuosos, Ma took up the cello early; his father started him on the instrument at age four. Decades and several degrees later (he was a star pupil at Juilliard and later graduated from Harvard), Ma is the face of classical music around the world. Everyone knows the ubiquitous cello player with the improbable, happy-go-lucky name. But it's not just his name that precedes him: Ma is a musical omnivore. He's taken the cello from its stuffy classical confines and forced it into places it's never been before. Cello in bluegrass? Middle Eastern music? Tango? Bossa nova? No style is too out there for Ma, and as a result he's become a musical ambassador, finding commonalities between disparate musical traditions and introducing a generally uncurious world to the world's many musical curiosities. From 2000's Appalachian Journey and 2002's Silk Road Journeys to 2003's Obrigado Brasil, the cellist's passion for music has inspired several generations of listeners.

Sarah Bardeen

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